Archive for A.D.

On the Record

State of Emergency is almost done! It’s been great to be involved with a book of this caliber from scratch–from the outline stage to the cover art. I loved working through the editorial issues and point of view issues with Scholastic Library division’s excellent editors. All the prose is done now (I think). And I just did my first author Q&A, which was a lot of fun. It was a good chance to look back over the project and think about all the stages–the planning, the research, the writing, and the research again, and how deeply through this wash-and-spin cycle I imbibed the story of Katrina from a number of different angles. All in all, it felt kaleidoscopic. I’m eager to see the final book and, luckily, am closer to that possibility because Josh has gotten to draw the cover for it. He has published an in-depth walk-through of the cover art and design, which is a really interesting look at how this process happens and how a book evolves and shapes under the guidance of various hands. This is what interests me so deeply in the book-making process: how did something so essential collaborative by nature become so associated with a single vision, and, as cultural product, defined by the auteur voice?

Here are some of Josh’s early sketches for the cover (you can see even more sketches and the final cover on his blog):

State of Emergency sketches

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We’re busy here at Dojo Graphics these days. What began as a dream is turning into a reality—a still-evolving reality. The projects keep coming and we’re moving in the direction of cross-media narrative studio. Josh is completing his next book, a collaboration with NPR’s Brooke Gladstone, to be published by Norton later this spring. You can read about it here. I recently completed a nonfiction book for Scholastic called State of Emergency that features a comics-and-prose mashup of one of the storylines in A.D. I’ve also started writing an online narrative educational game for a TV production company, which requires a blend of writing skills—novelistic treatment and visual narrative construction. It’s a prototype, so there’s a lot that we’re developing from scratch, which I find really exciting—to be on the cutting edge of 21st century literacy. And at the heart of it all is the ever-evolving form of comics: old-as-time and totally of the moment.

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